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Showing posts with label Emily Aoki. Show all posts
Showing posts with label Emily Aoki. Show all posts

Thursday, April 23, 2015

Black and Red

Black and Red
I watch as a thick drop of black ink splashes onto the floor. The man’s hand is dragged over to the paper and smashed against it by the worker in the grey uniform. My eyes follow the man as he slowly makes his way to the next booth to get his picture taken.
It’s been weeks since we’ve had any food. We’re all starving, but the government refuses to acknowledge it. We know where it’s all going, though.
“NEXT!” The fat government worker screams out without looking up.
Before I know it, my right foot lifts. Then my left. Then my right, and my left, and suddenly I am face to face with her. Her plump hand, stained with ink, reaches out for my right.
Why should I be doing this? The government requires it to keep track of and control their citizens. But why should they have control over me? What am I even doing here?
Rebellious thoughts poison my brain. Only a few years ago I had watched my older sister, only 18 years old, undergo this process from behind the chain link fences that surrounded the building. After finding an opening in the fence, I watched her march through the booths, as obedient and elegant as ever, through a window on the side of the building.
“Will you be back soon?” I pleaded on the morning of the registration.
She smiled at me, pulling on a sweater and smoothing over her worried expression with that of reassurance. “Of course, James. I’ll make your favorite lunch for the two of us when I get back, okay?”
“Do you promise?”
“I promise,” were the last words she ever said to me.
The government worker coughs abruptly and finally lifts her head from the papers on the desk to throw me an irritable scowl.  
“Any day now,” she says, each word dripping with contempt and impatience.
I finally place my bony hand in hers, feebly attempting to push down the fiery feelings of disobedience inside me. She dips my forefinger in the dark liquid, and holds it up to let the excess drip off.
I should have let her push it down again. I should have done what they wanted. I should have obeyed, but it felt as though someone had suddenly drenched me in gasoline and lit me ablaze.
The moment is almost unreal; time slows down as I tear viciously through the crowd, shoving my way towards the bright daylight seeping through the crack in the great double doors. I look back only once, only to see the expression of utter shock on her fat face.
I feel my hands press onto the cold metal doors and shove with a strength I haven’t felt in years. I am momentarily blinded by the scorching light of day, but the adrenaline keeps me going.
My eyes fix on the metal gate, but I can still see the towers out of the corner of my eyes. I know my fate. I know what I’ve done.
I’m ten feet from the gate when it hits me. I feel it pierce my left shoulder blade like an explosive parasite. I fall to the ground, waves of pain coursing through my body.
For a few moments, all is black. After a few moments, blurry shapes begin to swim around in front of my eyes and the distant roar of a crowd slowly grows louder.
As my vision comes back, I look over to the building. The officials struggle to contain the citizens as they heave against the doors, screaming and spitting in their faces. A few manage to escape, immediately turning back around to throw an official to the ground. The memory of a smile tickles the corner of my mouth, but it cannot manifest itself. I’m too full of the flames of revenge.

My head drops to the ground once more, having grown too weak to hold itself up. I watch as the black and red liquid seeps the gravel, creating delicate swirls amidst the absolute chaos. The pain and sound begin to die out as I slowly sink into infinity.

Thursday, March 12, 2015

Jobless

Emily Aoki
WLH - Tompkins
March 12, 2015
Period 1
Jobless
       Many people choose to believe that life is not all about money. However, to a certain extent, it is. Without money, it is nearly impossible to obtain sufficient food, water and shelter. Most people, in order to obtain the money they need for such resources, acquire a job. But what happens when people cannot find jobs?
        Unemployment is a major issue in South Africa. From 2000 to 2014, the South African unemployment rate averaged 25.25 percent (Taborda). This number is especially concerning when compared to the unemployment rates of other countries, such as the U.S., which is currently at 5.6 percent (Bureau of Labor Statistics). However, the problem is even worse among the youth in South Africa. In 2013, 63 percent of the youth labor force was unemployed (Oosthuizen and Cassim). So why is youth unemployment so high in South Africa?
One of the main reasons that youth unemployment is a major problem in South Africa are issues with the government. First of all, the education system in South Africa does not give students the skills that they need to be hired by companies. Only four in ten South African students graduate from high school, and only one in ten will go to university (Yueh). Linda Yueh, chief business correspondent at BBC News writes that “schools, especially in rural areas, lack basic learning materials and have poor teaching standards as well as high absenteeism among staff”. Nonetheless, it is not only governmental issues that are causing high unemployment among the youth in South Africa; businesses play a large part as well.
Many businesses, according to Thero Setiloane, “would rather poach employees from other companies than employ and train talented people who lack skills and work experience but could add value in the long term” (Setiloane). This is a major issue given that these people who want to work but have no prior experience are the young people. Setiloane, CEO of Business Leadership of South Africa asserts that “business must work with government to adapt the school curriculum”, for the government cannot set up an education system that will give students the skills they need in the working world unless they communicate with the businesses (Setiloane). Brookings authors Oosthuizen and Cassim wrote in 2014 that "government alone cannot resolve the unemployment crisis". Non-profit organizations are also working towards supporting small businesses, training the youth, and "facilitating the matching process between job seekers and employers" (Oosthuizen and Cassim).
         It is failures in both the government and South African businesses that are responsible for the high rate of unemployed youth in the country. The government and its education systems decline to provide students with skills they will need in the business world once they graduate, and businesses decline to hire young and inexperienced workers, despite whether or not they are talented or hardworking. Based on South Africa’s past youth unemployment rates, it does not look as though the future will bring any change unless the government and businesses decide to do so. Until then, 63 percent of the youth labor force in South Africa will remain jobless.

Works Cited

Bureau of Labor Statistics. "Databases, Tables & Calculators by Subject." United States Department of Labor. U.S. Bureau of Labor Statistics, 12 Mar. 2015. Web. 12 Mar. 2015.

Oosthuizen, Morné, and Aalia Cassim. "The State of Youth Unemployment in South Africa." Brookings. The Brookings Institution, 15 Aug. 2014. Web. 11 Mar. 2015.

Setiloane, Thero. "Beyond Advocacy – Business Needs to Get Its Head in the Game." McKinsey on Society Voices Beyond Advocacy Business Needs to Get Its Head in the Game Comments. McKinsey and Company, 2015. Web. 09 Mar. 2015.

Taborda, Joana. "South Africa Unemployment Rate Marginally Unchanged." Trading Economics. Trading Economics, 30 Oct. 2014. Web. 11 Mar. 2015.

Yueh, Linda. "The Jobs Challenge Facing South Africa." BBC News. BBC, 9 May 2014. Web. 11 Mar. 2015.


Thursday, January 29, 2015

Cry Character Analysis - John Kumalo

Argumentative statement:
Fugard conveys through the character John Kumalo the idea that many villagers in South Africa are becoming unhappy with the traditional idea of their tribes. He is a representation of the other South African indigenous people who are going to Johannesburg and never coming back. It is clear that he has become corrupted by the greater sway he holds in the city and the power he has. Because he has power in Johannesburg, he does not want to write to or come home to his family and friends in the tribe and he will not embrace any aspect of the tribe, including the language of Zulu. He asks to speak in English when talking about his experience in Johannesburg to further emphasize that there is a huge disparity between the way of life in the tribe and his new way of life. When asked again to speak in Zulu he becomes enraged and only the peaceful efforts of Stephen calm him. His power and money in the city have changed him into a man who thinks he has it all but in reality has no family or friends to share his joy with besides a mistress who he is not even married to.

Quotes:
  1. ¨You people in Ndotsheni do not understand the way life is in Johannesburg. I thought it better not to write¨ (35).
  2. “Down in Ndotsheni I am nobody, even as you are nobody, my brother. I am subject to the chief, who is an ignorant man. I must salute him and bow to him, but he is an uneducated man” (35).
  3. “‘Perhaps we should speak Zulu again,’ [Msimangu] said. The angry veins stood out on the great bull neck [of John], and who knows what angry words might have been spoken (37).
mountain-298999_1280.jpg

We chose this picture to represent John Kumalo’s state in life. The beautiful view from the high peak of a mountain represents his wealth and success, but like the man in the picture, he is alone and has no one to share it with. His wife left him, and he abandoned his family in order to earn more money and become more successful.

Thursday, October 9, 2014

Open Your Mind, Close Your Mouth.

Open your mind. Close your mouth.

Old Storyteller’s Stomach
Thesis statement: Sijie uses the symbol of the old storyteller’s stomach to convey the vulnerability and openness of the storyteller. He only sang for Luo and the narrator because they showed him that they were open-minded.

Quotes
  • “Our attention was immediately drawn to the contortions of his stomach, the sight of which was so extraordinary as to obliterate his voice, the tune and everything else from our consciousness. Being so thin, he didn’t actually have a stomach at all, just wrinkled skin forming innumerable tiny folds on his abdomen. When he began to sing the wrinkles billowed out, forming little waves that rippled across his tanned and gleaming body.” (p. 73)

  • “We held our sides laughing. We tried to control ourselves, of course, but the giggles inside us mounted and mounted until we exploded. The old miller smiled, too, and went on signing while the skin eddied across his stomach. Luo and I rolled over the ground in a paroxysm of hilarity.”(74)


Lice

Quotes
  • “Methodically he stripped off his shirt, vest, trousers and socks, and plunged them in the boiling water. His thin bony body was dotted all over with angry red bumps, and the skin was broken and bleeding and covered in scratch marks” (63).

  • “”D’you know what he takes with his liquor? Pebbles! I swear it’s true… He dips them in salty water, puts them in his mouth.. and spits them out… He offered some to me, but I declined. I didn’t realise I’d be hurting his feelings…. he clammed up completely… and I spent the night in his bed”... It was not hard to imagine… the bug infested bed upon which Four Eyes lay, fighting to stay awake in case the old man happened to sing.” (p. 64-65)
Thesis statement: Sijie uses the symbol of lice to express the punishment inflicted upon Four Eyes for being close-minded and rude. When Four Eyes refused the “jade dumplings”, the storyteller deemed him as unworthy of hearing the song. If Four Eyes had not been so close-minded, he would not have needed to stay at the storyteller’s home and be subject to the merciless lice.

Thursday, October 2, 2014

One


Be like the bamboo
Bend and sway with the breeze
Be like the river
Twist and swirl with the stone

Like the redwood
Reach for the heavens
Like the forest
Stretch far and wide

The body
Allow it to be supple
The mind
Allow it to be one